Deconstruction of a Journalistic Photograph from the Newseum

Elian

For the deconstruction of a journalistic photograph assignment I chose “Elian” by Alan Diaz. The photograph depicts a frozen action scene from the moment when United States federal agents took custody of Elian Gonzalez in order to return him to his father in Cuba. The first thing I thought when looking at this picture through the lens of our class discussions is how this picture is all about the event being photographed.  Many of the Pulitzer Prize winning photos I looked at were beautiful aesthetically in addition to capturing an important historical moment. This photo of Elian taken in Miami in 2001 by an Associated Press photographer is not aesthetically beautiful, but is memorable because of its visual elements and the news worthiness of the moment it captured.

This photograph exemplifies many of the fundamental elements of photography. The photograph is frozen action, depicting the federal official with his mouth open, presumably barking orders at the adult who is holding the panicked looking Elian.  The photograph is a good example of the rule of thirds, as the federal official’s head and body are aligned on the first third axis line and Elian is just passed the second third axis line.  Probably one of the most powerful fundamental elements of photography that this photograph illustrates is leading lines.  The first thing you see when you look at the photograph is the federal official, who looks like a soldier, with his gun in the front of the picture. His gun then leads straight to Elian’s tearful face, and Elian becomes the emotional focal point of this photograph. As well, Elian and his guardian are hiding in a closet and the closet becomes a frame within a frame of the two of them.

I wish I had seen the photograph without seeing its title first, as the title of the picture immediately puts some context to the photo and changes its connotation. I’d have liked to see what I thought the photo was about before I realized that the little boy in the picture is Elian Gonzalez.   If I was looking at this photograph without its title and did not realize it was Elian Gonzalez in the picture, this is what I think I would notice.  Two men in uniform with heavy weapons have stormed into a house and have discovered a man and a child in a closet.  The child is clearly hysterical and feels scared and threatened.  The guardian or person holding the child appears to be calmer and does not look fearful for his safety.  Therefore, I would surmise that the guardian has greater knowledge of what is going on than the child does and understands that his life is not being threatened.  The solider, while appearing very menacing given his body armor and gun, has his right arm positioned in such a way that it appears he is trying to proceed carefully.  This simple gesture makes him appear less dangerous as he looks like he has some concern for the safety of the people he is confronting.  This is different than one would expect to see, for instance, if the photograph was of German SS officials discovering some people hiding from them in Nazi Germany.

To be honest, although I knew who Elian Gonzalez was, I had to look up the story again to refresh my memory of the events in the news story.   Elian was rescued by a fisherman (who is the man in the closet holding him) after his mother drowned while attempting to flee Cuba with her son.  Elian’s father wanted his son returned to him in Cuba, while Elian’s cousins in America did not want to send the boy back to a communist country. At the time, some people questioned whether the Cuban refugee community had Elian’s best interest at heart or if they were using him mostly to make a political statement.

The picture is a great example of frozen action as so much is told through the expressions and body language captured in the moment. Of course the symbolism of Elian being taken away at gunpoint by US federal officials as if he were living in a police state is powerful as well. This is especially powerful because the people who were arguing that Elian should stay in the US were depicting Cuba as the police state and the United States as the land of the free.

Photo Series

Gas station restroom

Gas station restroom

Guy sleeping at bus stop

Guy sleeping at bus stop

Ladies at the bus stop

Ladies at the bus stop

Light relecting off a puddle

Light relecting off a puddle

Lights outside of hotel

Lights outside of hotel

National City Christian Church

National City Christian Church

Officers

Officers

Police Cars

Police cars

Red Cross building

Red Cross building

Statue casting a shadow

Statue casting a shadow

Tico's on 14th street

Tico’s on 14th street

Trader Joes, tills open and store closed

Trader Joes, tills open and store closed

Tunnel at night time

Tunnel at night time

Washington monument

Washington monument

Window display

Window display

Awning of fancy hotel

Awning of fancy hotel

Bar Dupont, closed

Bar Dupont, closed

Corner Bakery Cafe in Chinatown

Corner Bakery Cafe in Chinatown

DOJ

DOJ

Drink isle of store at night

Drink isle of store at night

Fancy hotel

Fancy hotel

Gas Pump

Gas Pump

Garage closed

Garage closed

I haven’t nailed down my topic for my photo assignment 100% yet. However, I am a night owl and I find comfort in city nights. So I was thinking to do something with light and dark, especially focusing on nighttime in DC.  Some of the things I was thinking of photographing were the lights of buildings, signs, window displays, police, shadows, empty restaurants and stores, tunnels, ATM machines etc.   I also thought of possibly photographing the same things both in the day and at night. So far though I have only photographed things at night and might keep it a night themed project.  One of the benefits of shooting the city in the witching hour is that you can quickly stop and illegally park somewhere as you get out and snap your photos.  One of the cons is that when you illegally park right in front of the Department of Justice and take photos at 3 AM, the security people guarding the building come and ask you a bunch of questions because they are afraid that you are part of a terrorist cell and taking photos for a future attack.  Also I discovered that it can be difficult to shoot lights at night because they tend to blur in photographs or make parts of your photo overexposed.

Photography Scavenger Hunt

Scott McCloud, Understanding Comics

Scott McCloud’s, Understanding Comics was fascinating.  I especially appreciate McCloud’s point about words lacking the immediate emotional charge of pictures.  It’s particularly relevant in today’s society, given that texting has become one of the most frequently used forms of communication. When having a conversation via text, instead of face to face where people can see each other (so in a sense with pictures), it can be hard to fully gauge emotions and feelings accurately.  It reminds me of a girl I once dated who always seemed so sincere via text message because that is the way I chose to read her words in my mind.  However, in person, when she spoke her body language often belied her words and she suddenly didn’t seem nearly as sincere.

As Scott McCloud says, together words and pictures can work miracles when it comes to communicating deeper meaning.  Of course comics are a series of two-dimensional still frames, so it takes some skill to fully capture nuanced emotions and messages. Fortunately, comic artists can rely somewhat on a language of symbols, which continues to grow and can quickly convey the meaning of simple pictures.  For the more creative comic artists who prefer to use highly distortive expressionism that might lack some of the clarity of simple comics, what the reader gets out of it will rely partially on what they bring to it as it does with every art form.